Roof above Canary Wharf Crossrail Station Completes

Arch2o-Roof-above-Canary-Wharf-Crossrail-Station-Completes-Foster+Partners-006

Roof above Canary Wharf Crossrail Station Completes 

The final aluminium piece was placed on the Foster+Partners designed roof, marking the structural completion of the project which began in May 2009.

The roof will sit above a new roof garden and Canary Wharf Group’s four storey, 115,000 sq ft retail and leisure development including shops, restaurants, bars and a cinema. The roof garden and first phase of the retail and leisure space will open in May 2015, three years before trains run through the station.

Work began on the new station in May 2009 by creating a 250m long and 30m wide watertight dam in the waters of North Dock, using an innovative ‘silent’ piling method. The station box was then built ‘top down,’ 28 metres below the water surface to create the ticket hall and platform levels.

Arch2o-Roof-above-Canary-Wharf-Crossrail-Station-Completes-Foster+Partners-014

Canary Wharf is the most progressed of Crossrail’s 10 new stations. Eight 40 metre-long escalators, four lifts, flooring, wall cladding and space for station services are all in place in the ticket hall level.

Crossrail’s construction remains on time and within budget. Its tunnelling programme is over 80% complete. When Crossrail opens in 2018, it will increase London’s rail-based transport network capacity by 10 per cent and cut journey times across the city, bringing an extra 1.5m people within 45 minutes of central London.

Source: www.arch2o.com

Belgium Pavilion Expo 2015 by Patrick Genard y Asociados

Belgium-Pavilion-Expo-Milano-2015-by-Patrick-Genard-00

The Belgian Pavilion project for the Milan Expo 2015 won by Besix/Vanhout and conceived by Patrick Genard & ass/ Marc Belderbos is the outcome ofthree great axes of reflection: the theme of the Milan 2015 exposition “Feeding the Planet, Energy for Life”, “environmental sustainability and innovative technology” and finally a “showcase pavilion of the Belgian identity”.

Belgium-Pavilion-Expo-Milano-2015-by-Patrick-Genard-01

These 3 themes come together over the question of land development. Following Alberti’s formula, “The house is a small city and the city a large house”, the project proposes making the Belgian Pavilion a reduced model of an excellent urban planning solution: the “Lobe City”.

According to preexisting examples (Berlin, Copenhagen, etc) or more recently developed (Fribourg, Aalst, etc) having demonstrated their great urban quality, the model proposes green insertions to separate the neighborhoods and oxygenate the city at its center, while maintaining a concentric network of rings unifying the different neighborhoods. This notion of sustainability at the regional scale, of urban development has structured the concept of the pavilion and its surroundings.

The concept regarding rural land management comes from the intention of reconciling, on one side,  the idea of a generous and reassuring farmland, faithful to the cultural and ideological representation of traditional Belgian and European landscapes, with on the other, the idea of technological and ethical  progress which brings forth the debate over food production of tomorrow.

Belgium-Pavilion-Expo-Milano-2015-by-Patrick-Genard-05

Within this framework, rural land management will along a gentle slope, associate farming, bucolic and floral environments with a collection of experimental facilities and cutting edge technologies.

Within this context, the urban plan of the “Lobe City” becomes architecture: the residential neighborhoods are the constructed volumes-the wood pavilions and the Farm-throughout which light circulates and upon the view over the surrounding greenery. The historic center of the city becomes the atrium, the heart of the project, formalized by a large geodesic structure in glass.

The volumes of the pavilion, are also different allusions to the agricultural and horticultural architecture of Belgium: The large volume of the geodesic canopy also presents itself as a reference to the grand Royal Greenhouses of Laeken, and the first volume, the Farm, reinterprets the traditional morphology of the Belgian farm, elongated with a gabled roof, as well as with the faceted wood pavilions, to the contemporary organic forms, reuniting the two eras.

A sustainable pavilion
Man’s need of natural resources to survive necessitates that he control these latter: sustainability= survival. Furthermore the notion of regional sustainability which has guided the initial concept of the project, the pavilion has followed the essential rules for the creation of a sustainable building.

The trias principle is used for energy demand, material use and water consumption. This green philosophy is pursued throughout all levels of the project, and therefore in the choice of materials and construction, natural, easily recyclable, insulating, modular for ease of disassembly and not leaving a footprint on the site. Source by : Patrick Genard y Asociados.

Location: Milano, Italy
Architects: Patrick Genard y Asociados
Partner: Marc Belderbos, Sylvain Carlet Isern Serra
Project Team: Bruno Conigliano, Dariela Hentschel, Christophe Siredey, Sigfrid Pascual, Diego Rey, Nathalie Meric,Silvina Cragnolino, Carolina Gomes, Ingrid Macau, Ron Calvo
Engineers: BESIX Design Department, Cenergie Berchem
Landscape Designer: JNC International
Telecommunications: Arch & Teco Engineering
Acoustics: ASM Acoustics www.asm-acoustics.be
General contractor: SM Besix/ Vanhout
Area Lot : 2717 m2
Year: 2015
Images: Courtesy by Patrick Genard y Asociados

Article by Marco Rinaldi
Source: www.aasarchitecture.com